Spain has three films in competition for the Palme d'Or for the first time. Pedro Almodovar is there with Amarga Navidad, Rodrigo Sorogoyen with El ser querido, starring Javier Bardem and Victoria Luengo, and Javier Calvo and Javier Ambrossi, the pair known as the Javis, with La bola negra. The previous best was two in a single year.
The comparison sometimes offered, that four Spanish titles screened at Cannes in 1951 and in 1954, does not hold. The Palme d'Or did not exist until 1955, so those were films at a festival rather than films in a race. Three in the Official Competition is the record on the terms the prize has actually been awarded under.
The three names are the more interesting part. Almodovar is the fixed point of Spanish cinema abroad and has been for forty years. Sorogoyen arrives from a run of tightly built dramas with Bardem attached, which is the combination that turns a national reputation into an international one. The Javis came out of television and a musical sensibility that has almost nothing to do with either, and their presence is the clearest signal that the pipeline into Cannes is no longer one auteur wide.

